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		<title>Intuition, Subliminal Perception and the Subconscious</title>
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		<pubDate>Sun, 29 Jan 2012 05:13:38 +0000</pubDate>
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		<description><![CDATA[Our subconscious knows more, sees more and hears more than we do. About Intuitions, Experiments Below the Awareness Threshold, and Free Will. <a href="http://www.evsc.net/home/intuition-subliminal-perception-and-the-subconscious"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div class="inside-post2">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/twobarriers-01.jpg"><img class="size-medium wp-image-1936 aligncenter" title="twobarriers-01" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/twobarriers-01-630x380.jpg" alt="" width="630" height="380" /></a></p>
<h2>Barriers and Filters</h2>
<p>There are several barriers between us &#8211; the conscious us &#8211; and the world. We are constantly bombarded with information from our environment and our physical bodies use senses to read that information. As a first barrier the limitations of our physical senses act as filter on the incoming information and only let certain content through. Now our subconscious is at play and processes the perceived input and acts as second barrier, as it decides which information will be handed up above the threshold of awareness to our conscious mind. Conscious perception of the physical world around is a filtered and mutated presentation of the real deal.</p>
<p>This is nothing new. We are already aware of the fact that there is so much more out there that is beyond our sensory range, and even beyond our technologically advanced sensory capabilities (see dark matter). What i find highly intriguing though, is the fact that our subconscious mind has access to a much faster and more detailed library of knowledge than our conscious mind does. Studies show that our subconscious senses at a higher resolution (Small Difference in Sensation, 1884) and at a higher sampling rate (Mere Exposure Effect, 1980) than we are aware of. But this high level of detail is not necessary for survival and would cause an information overload for that entity of our mind that we call consciousness.</p>
<p>Instead of relaying all possible input forward into awareness, our subconscious makes a selection. The really important stuff is passed on of course, but the majority of it is processed directly in the subconscious with quick rule-of-thumb methods. Only the final product of these processes enters our awareness in the form of hunches, instinct, gut feelings, snap judgments or &#8211; as we mostly called it &#8211; intuition.</p>
<h2>Intuition and Rapid Cognition</h2>
<p>Intuition is a fidgety topic. Discussing it with friends showed that everyone has his/her own interpretation of what it means, and especially in what situations one makes use of it.</p>
<p>I&#8217;ve read Malcolm Gladwell&#8217;s <a href="http://www.gladwell.com/blink/">Blink</a> and understood it as a book on intuition. Yet he never uses the word <em>intuition</em> in the book and calls his subject <em>rapid cognition</em> instead. And rapid cognition is the perfect word for what my understanding of intuition is: Your unconscious makes decisions, reaches conclusions in a similar rational way as your conscious thought processes would do. Yet it does it a lot faster, and has access to more memory than your consciousness does. Within 1-2 seconds intuition can tell you if a person might be lying to you, if a chess game might be lost or if a situation might become dangerous. It tells you in the form of a gut-feeling, delivering the final conclusions of a long debate without revealing any of the rational behind it. It relies on your unconscious picking up on cues in the environment, on discovering micro-expressions on someone&#8217;s face, on comparing situations to hundreds and thousands similar ones housed in your memory and even digs into genetically and biologically hard-coded instincts.</p>
<p>Maybe Gladwell shies away from calling it intuition, because he feels that the term is too associated with emotional, irrational and mystical concepts. Probably letting go of the term and calling it by a new name is reasonable. Rapid Cognition.</p>
</div>
<div class="inside-post1" style="height:550px;"><big><em>&#8220;Apart from the fact that we may not be able to perceive the entirety of the external world due to information processing limitations inherent to our physical system, what seems more unsettling is that we may not even be able to experience all that we perceive! Is there some limitation of our own internal system that keeps not only the world, but the way this world is represented in us fundamentally unknowable to ourselves?&#8221;</em></big><br/><br />
<span style="float: right;">– Overgaard M, &amp; Timmermans B (2009). <em>How unconscious is subliminal perception?</em></span></div>
<div class="inside-post1" style="background-color: #ddd;"><img class="aligncenter size-full wp-image-1931" title="blink" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/blink.jpg" alt="" width="190" height="285" /></p>
<h3>Blink: The Power of Thinking Without Thinking</h3>
<p><small>In his 2005 <a href="http://www.gladwell.com/blink/">book</a> Malcolm Gladwell presents a series of studies that demonstrate how our subconscious helps us make decisions, yet also leads us astray. It&#8217;s an easy read, probably too easy. I have heard Jonah Lehrer&#8217;s <a href="http://www.amazon.com/How-We-Decide-Jonah-Lehrer/dp/0618620117">How We Decide</a> and Gerd Gigerenzer&#8217;s <a href="http://www.amazon.com/Gut-Feelings-Intelligence-Gerd-Gigerenzer/dp/0670038636">Gut Feelings: The Intelligence of the Unconscious</a> might be a bit more thorough.</small></div>
<div class="inside-post1">
<p><big><em>&#8220;Intuitive thinking is perception-like, rapid, effortless. &#8230; Deliberate thinking is reasoning-like, critical, and analytic; it is also slow, effortful, controlled, and rule-governed.&#8221;</em></big></p>
<div style="float: right;">- psychologist Daniel Kahneman</div>
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<h3>Lack of Intuition</h3>
<p><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/iowa-300x223.gif" alt="" title="iowa gambling task" width="300" height="223" class="alignright size-thumbnail wp-image-1938" /><small>Antonio Damasio&#8217;s study with card decks (<a href="http://cercor.oxfordjournals.org/content/10/3/295.full"><em>Emotion, Decision Making and the Orbitofrontal Cortex</em></a>, 2000) shows that the subconscious figures out game advantages and starts to influence behavior accordingly before that information reaches awareness in form of a hunch. Damasio also shows that test subjects with damages to a part of the brain responsible for planning and decision making (<a href="http://en.wikipedia.org/wiki/Ventromedial_prefrontal_cortex">Ventromedial prefrontal cortex</a>) are not able to produce hunches. </small>
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<div class="inside-post1"><big><em>&#8220;Intuition (is) perception via the unconscious&#8221;</em></big><br />
<span style="float: right;">– Carl Gustav Jung</span></div>
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<h2>Experiments Below The Awareness Threshold</h2>
<p>So, how do you measure if information is present in your subconscious, yet not in your conscious mind? In his paper <a href="http://www.sysdesign.ca/archive/berkes_subliminal_perception.pdf">Does &#8220;subliminal perception&#8221; (perception without awareness) occur, and how can it be measured?</a> (2004) Berkes gives a good overview of the controversies existing in experiments trying to capture subliminal perception. Experiments testing the effect rely on <strong>null effect / null sensitivity</strong> data &#8211; which means subjects have no conscious awareness of a given stimulus. Detecting this condition is not easy. When detection relies on <b>Self-Report</b> of awareness (or non-awareness) by the subject, it is flawed as every person has different response bias that influence their statement. Early test, like the Peirce Jastrow Experiment have been criticized for this. The <b>Dissociative Paradigm</b> method asks test subjects to choose between fixed options, even if he/she finds them equivalent. The choice will unconsciously be influenced by the subliminal stimuli (see Mere Exposure Effect, 1980). The <b>Exclusion Paradigm</b> presents test subjects with a task and asks them not to use the supposedly subliminally presented stimuli (Jacoby exclusion task, 1994).
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<div class="inside-post1" style="height:340px;">
<big><em>&#8220;Subliminal perception occurs whenever stimuli presented below the threshold or limen for awareness are found to influence thoughts, feelings, or actions.&#8221;</em></big></p>
<div style="float: right;">- Philip M. Merikle, <a href="http://watarts.uwaterloo.ca/~pmerikle/papers/SubliminalPerception.html">Subliminal Perception</a> (2000)</div>
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<h2>Self Report</h2>
<p><a href="http://psychclassics.yorku.ca/Peirce/small-diffs.htm"><img class="aligncenter size-thumbnail wp-image-1932" title="On Small Differences in Sensation" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/peirce-300x263.jpg" alt="" width="300" height="263" /></a></p>
<h3>Small Difference in Sensation, 1884</h3>
<p><small>In 1884 Peirce and Jastrow published the paper <a href="http://psychclassics.yorku.ca/Peirce/small-diffs.htm">On Small Differences in Sensation</a> that documents their highly interesting experiment, showcasing that our subconscious even has a finer resolution in perception than our consciousness does. Subjects had to compare weights that were so similar that they seemed identical. People were asked to indicate the heavier object and also to specify their level of confidence in their choice. Subjects that indicated zero percentage of confidence &#8211; and seemingly only picked one over the other by chance &#8211; ended with a 62-70% success rate. Even though they were not aware of any difference between the two stimuli, their intuition let them to pick the right answer more often than not. The findings indicate that their intuition could give the answer based on reason, because their subconscious had a more accurate perception of the weight than their awareness.</small></p>
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<h2>Dissociative Paradigm</h2>
<p><img class="alignnone size-thumbnail wp-image-1933" title="mereexposure" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/mereexposure-300x261.gif" alt="" width="300" height="261" /><br />
<small>[Image Source: <a href="http://www.csic.cornell.edu/201/subliminal/">Nick Epley</a>]</small></p>
<h3>Mere Exposure Effect, 1980</h3>
<p><small>In 1980 Kunst-Wilson and Zajonc showed that subliminal exposure to an object increased a persons affect for the object. This phenomenon is know as <a href="http://en.wikipedia.org/wiki/Mere-exposure_effect">Mere-Exposure Effect</a> &#8211; we tend to prefer what we are more familiar with. (Yet! The more invasive and repeated the exposure is, the more we&#8217;ll start to respond in a negative fashion.) In their experiment Kunst-Wilson and Zajonc showed test subjects 1 millisecond flashes of an image of a polygon. Afterwards the test subjects were presented with images of two different polygons, and were asked to pick the one they recognized and the one they liked better. As the flashes were too fast for conscious awareness and therefore at chance level, the recognition question correctly led to 50:50 answers. Yet the same test subjects indicated at 60:40 preference for the polygon they were subjected to.</small></p>
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<h2>Exclusion Paradigm</h2>
<p><img class="alignnone size-thumbnail wp-image-1934" title="Debner Jacoby" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/debner-300x267.jpg" alt="" width="300" height="267" /></p>
<h3>Jacoby exclusion task, 1994</h3>
<p><small>In 1994 Debner and Jacoby executed a word completion experiment that sparred conscious processing against unconscious processing. Images of a priming word were flashed at test subjects at durations that ranged from subliminal to clearly visible. Afterwards the test subjects had to complete word-stems and were instructed not to use the priming word. Here the threshold of awareness was evident in the results. If test subjects were aware of the priming word, they avoided in the word completion task. If the priming was truly subliminal, they were much more likely to use the priming word in the task.</p>
<p>Original paper: <em>Unconscious Perception: Attention, Awareness, and Control</em>, James A. Debner and Larry L. Jacoby, 1994 (<a href="http://homepage.psy.utexas.edu/homepage/class/Psy355/Gilden/jacoby.pdf">PDF</a>)</small>
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<div class="inside-post1" style="height:500px;">
<img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/mindtime-300x435.jpg" alt="" title="mindtime" width="300" height="435" class="alignnone size-thumbnail wp-image-1940" /><small>Benjamin Libet &#8211; <a href="http://www.amazon.com/Mind-Time-Consciousness-Perspectives-Neuroscience/dp/067401846X/ref=tmm_pap_title_0">Mind Time: The Temporal Factor in Consciousness</a></small>
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<h2>Always Half a Second Behind?</h2>
<p>So, we know that the unconscious influences our conscious behavior. What if it does more than simply influence it? Benjamin Libet&#8217;s famous volatile-action experiment challenges the concept of free will as it demonstrates that neuronal spikes signal the onset of action before a conscious decision to take action has been made. </p>
<p>Maybe our subconscious is truly in control of us? Maybe our subconscious possesses free will and orchestrates our conscious experience like a puppet on a string. Your subconscious as the dark ego, living within us. </p>
<p>Or, our subconscious is not in control either, and free will is an illusion. Which option is better? Creepy vs. disillusioning.
</p></div>
<div class="inside-post1"  style="height:500px;">
<img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/libet-215x95.png" alt="" title="libet" width="215" height="95" class="aligncenter size-stream wp-image-1939" /></p>
<h3>Libet&#8217;s Bereitschaftspotential Experiment</h3>
<p><small>In 1983 <a href="http://en.wikipedia.org/wiki/Benjamin_Libet">Benjamin Libet</a>, following German neurologist Hans Kornhuber, asks volunteers to move a finger &#8216;whenever they feel the urge to do so&#8217;. Measuring their brain activity, he discovers that first brain activity controlling the movement happens roughly 500 milliseconds before conscious awareness of the subjects intention to move their finger, and another 150 milliseconds before the actual movement.</small>
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<h2>Open Questions</h2>
<p>Now that we know that our subconscious knows more, sees more, hears more than we do, the questions arises &#8211; how can we access it? Through simple training? A more sensitive awareness to whatever your gut tells you? </p>
<p>Once a skill is routinized by extensive practice it is moved down into subconscious territory, to make space for new content. We walk, we breath, we swallow, and are mostly not aware of it. Can we master <em>any</em> skill and implement it in our subconscious? </p>
<p>Has our subconscious a more <em>open mind</em> for scientific ideas that are hard to grasp for our conscious mind? Is our subconscious able to understand multistability, and therefore allows the existence of separate realities in it&#8217;s neuronal circuitry (see <a href="http://www.evsc.net/research/necker">An Oscillating Reality Battle</a>)?  Is our subconscious the maker of time and creates the illusion of time for our conscious mind?
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<div class="inside-post1" style="background-color: #ddd;height:550px;"><a href="http://www.amazon.com/Hidden-Minds-Unconscious-Frank-Tallis/dp/1559706430"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/tallis.jpg" alt="" title="tallis" width="200" height="300" class="aligncenter size-full wp-image-1937" /></a></p>
<h3><em>Hidden Minds &#8211; A History of the Unconscious</em></h3>
<p><small>In this <a href="http://www.amazon.com/Hidden-Minds-Unconscious-Frank-Tallis/dp/1559706430">book</a> Frank Tallis leads us through the history of the unconscious touching upon hypnotism, lucid dreaming, subliminal stimuli, psychoanalysis and new research in neuroscience. Very recommended.</small></div>
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<h3>Podcast References</h3>
<p>Brain Science Podcast &#8211; Episode 13 &#8220;Unconscious Decisions!&#8221;, where Dr. Ginger Campbell discusses unconscious rapid decision-making, Malcolm Gladwell&#8217;s Blink and other writings on the subject.</p>
<p>Stuff to Blow Your Mind Podcast &#8211; Episode &#8220;Is Your Gut A Genius?&#8221;, where Robert and Julie talk about butterflies and lots of neural wiring in your stomach.</p>
<p>Brain Science Podcast &#8211; Episode 19 &#8220;Gut Feelings by Gerd Gigerenzer&#8221;, where Dr. Ginger Campbell discusses <a href="http://www.amazon.com/Gut-Feelings-Intelligence-Gerd-Gigerenzer/dp/0670038636/ref=pd_bbs_sr_1/104-0824653-5550364?ie=UTF8&amp;s=books&amp;qid=1186511465&amp;sr=8-1">said book</a>.</p>
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		<title>A Dangerous Method</title>
		<link>http://www.evsc.net/stream/a-dangerous-method?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-dangerous-method</link>
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		<pubDate>Thu, 19 Jan 2012 15:08:37 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Stream]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1929</guid>
		<description><![CDATA[This was a bit of a disappointment &#8211; A Dangerous Method is a Cronenberg movie after all, but i feel like he touched upon a interesting subject and instead of going deeper into it, he decided to make a partially &#8230; <a href="http://www.evsc.net/stream/a-dangerous-method"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This was a bit of a disappointment &#8211; <a href="http://www.imdb.com/title/tt1571222/">A Dangerous Method</a> is a Cronenberg movie after all, but i feel like he touched upon a interesting subject and instead of going deeper into it, he decided to make a partially funny (deliberately or not) romance movie. We are introduced to the relationship between Jung and Freud, but we don&#8217;t see enough of it to feel the pain of the rupture between them. The rupture that will bring Jung to a nervous breakdown (or: when he gives in and let&#8217;s his unconscious take over). Also, the sexual relationship between Jung and <a href="http://en.wikipedia.org/wiki/Sabina_Spielrein">Sabina Spielrein</a> has lots of potential &#8211; may it be a doctor-patient relationship, a soda-masochistic sexual one, or the partnership admiration between two scientists &#8211; yet at the end of the movie we are meant to believe it was a (mainly) romantic one. I feel we are missing scenes to make both those 2 relationships believable. Maybe it&#8217;s all there in the 3-hour director&#8217;s cut, i&#8217;ll just have to wait.</p>
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		<title>All in the Mind: Are You Conscious?</title>
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		<pubDate>Thu, 19 Jan 2012 14:59:21 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1928</guid>
		<description><![CDATA[All in the Mind is 10 years old, and produced a couple of retrospective podcasts on research and discoveries covered over the last 10 years. Here&#8217;s a great one: All in the Mind 10th Anniversary Special 2: Are You Conscious? &#8230; <a href="http://www.evsc.net/stream/all-in-the-mind-are-you-conscious"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>All in the Mind is 10 years old, and produced a couple of retrospective podcasts on research and discoveries covered over the last 10 years. Here&#8217;s a great one: <a href="http://www.podfeed.net/episode/All+in+the+Mind+10th+Anniversary+Special+2+Are+You+Conscious/3235194">All in the Mind 10th Anniversary Special 2: Are You Conscious?</a> &#8211; Zombies, the consciousness mystery, the brain/mind problem, disembodied brains, The Matrix, etc. with Daniel Dennett, <a href="http://en.wikipedia.org/wiki/Susan_Greenfield,_Baroness_Greenfield">Susan Greenfield</a> and others.</p>
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		<title>Stuff to Blow Your Mind</title>
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		<pubDate>Mon, 28 Nov 2011 02:58:29 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<description><![CDATA[I&#8217;ve been listening to Stuff to Blow Your Mind continuously while walking. Catching up on their old podcasts too. And there are so many of them! Recent favorites (MP3 links) If a tree falls in a forest, does it make &#8230; <a href="http://www.evsc.net/stream/stuff-to-blow-your-mind"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been listening to <a href="http://blogs.howstuffworks.com/category/stuff-to-blow-your-mind/">Stuff to Blow Your Mind</a> continuously while walking. Catching up on their old podcasts too. And there are <a href="http://www.howstuffworks.com/stuff-to-blow-your-mind.rss">so many of them</a>!<br/><br/></p>
<p>Recent favorites (MP3 links)<br/></p>
<ul>
<li><a href="http://podcasts.howstuffworks.com/hsw/podcasts/sciencelab/2010-12-09-stbym-tree-falls-forest.mp3">If a tree falls in a forest, does it make a sound?</a></li>
<li><a href="http://podcasts.howstuffworks.com/hsw/podcasts/sciencelab/2010-12-14-stbym-overview-effect.mp3">The Overview Effect: Tripping Out in Space</a></li>
<li><a href="http://podcasts.howstuffworks.com/hsw/podcasts/sciencelab/2010-12-16-stbym-ladies-night-planet-earth.mp3">Ladies&#8217; Night on Planet Earth</a></li>
</ul>
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		<title>Melancholia</title>
		<link>http://www.evsc.net/stream/melancholia?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=melancholia</link>
		<comments>http://www.evsc.net/stream/melancholia#comments</comments>
		<pubDate>Sun, 27 Nov 2011 02:29:58 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Stream]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1921</guid>
		<description><![CDATA[Depressive people stay calm at the onsite of an approaching disaster because they already expect bad things to happen. This is what inspired Lars van Trier to write and direct Melancholia and is beautifully portrayed when at the end Justine &#8230; <a href="http://www.evsc.net/stream/melancholia"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img class="wp-image-1922" title="melancholia" src="http://www.evsc.net/v8/wp/wp-content/uploads/2011/11/melancholia-215x89.jpg" alt="" width="215" /><br />
Depressive people stay calm at the onsite of an approaching disaster because they already expect bad things to happen. This is what inspired Lars van Trier to write and direct <a href="http://en.wikipedia.org/wiki/Melancholia_%282011_film%29">Melancholia</a> and is beautifully portrayed when at the end Justine finds her strength and comforts Claire and Leo. Gorgeous setting, dramatic music, and a most beautiful harbinger of death in the form of a blue planet dancing it&#8217;s last dance.</p>
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		<title>DISPLACE (v 1.0)</title>
		<link>http://www.evsc.net/stream/displace-v-1-0?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=displace-v-1-0</link>
		<comments>http://www.evsc.net/stream/displace-v-1-0#comments</comments>
		<pubDate>Mon, 21 Nov 2011 15:15:38 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Stream]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1919</guid>
		<description><![CDATA[I attended an experimental session inside DISPLACE (v 1.0), a Performative Sensory Environment developed by LabXmodal and the Concordia Sensoria Research Team (CONSERT) here at Concordia University in Montreal. In groups of six &#8211; sometimes together, sometimes alone, sometimes alone &#8230; <a href="http://www.evsc.net/stream/displace-v-1-0"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I attended an experimental session inside <a href="http://xmodal.hexagram.ca/displace">DISPLACE (v 1.0)</a>, a Performative Sensory Environment developed by <a href="http://xmodal.hexagram.ca/">LabXmodal</a> and the <a href="http://www.david-howes.com/senses/">Concordia Sensoria Research Team (CONSERT)</a> here at Concordia University in Montreal. In groups of six &#8211; sometimes together, sometimes alone, sometimes alone yet together &#8211; over a 30 minute period, you experience a dark space filled with multiple sensory phenomena. You are guided and encounter 3-4 stations, where you taste and smell, feel vibrations, feel heat, walk through corridors with nearly invisible walls, perceive flickering lights, listen to surround sound and sit on a rotating platform. When you leave you feel slowed down and more mindful, like after a meditation session.</p>
]]></content:encoded>
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		<title>The line between life and not-life</title>
		<link>http://www.evsc.net/stream/the-line-between-life-and-not-life?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-line-between-life-and-not-life</link>
		<comments>http://www.evsc.net/stream/the-line-between-life-and-not-life#comments</comments>
		<pubDate>Sat, 19 Nov 2011 16:36:27 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Stream]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1913</guid>
		<description><![CDATA[Martin Hanczyc of the Center for Fundamental Living Technology (FLinT) in Denmark, shows off protocells &#8211; simple chemical blobs that display life-like behavior &#8211; in his TED talk. The protocells move around, feed on energy, dance with each other, merge, &#8230; <a href="http://www.evsc.net/stream/the-line-between-life-and-not-life"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Martin Hanczyc of the <a href="http://flint.sdu.dk/">Center for Fundamental Living Technology (FLinT)</a> in Denmark, shows off protocells &#8211; simple chemical blobs that display life-like behavior &#8211; in his <a href="http://www.ted.com/talks/martin_hanczyc_the_line_between_life_and_not_life.html">TED talk</a>. The protocells move around, feed on energy, dance with each other, merge, split up again and very much resemble digital artificial life environments. I am looking forward to a point where <em>wetware</em> labs become more and more common in the art-tech scene, and coders get their hands dirty with chemicals and primordial goo.<br/><br/>Three characteristics we look for to recognize life out there: the system needs to be in non-equilibrium, needs to be in a liquid form, and has to be able to make and break chemical bonds.</p>
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		<title>This in Timeouts</title>
		<link>http://www.evsc.net/stream/this-in-timeouts?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=this-in-timeouts</link>
		<comments>http://www.evsc.net/stream/this-in-timeouts#comments</comments>
		<pubDate>Wed, 16 Nov 2011 21:05:12 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Stream]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1912</guid>
		<description><![CDATA[Setting a timeout on a class method that relies on another class method, causes errors as the callback function loses the reference to this. The solution: hand on the initial this as parameter to the callback. { empty: function() { &#8230; <a href="http://www.evsc.net/stream/this-in-timeouts"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Setting a timeout on a class method that relies on another class method, causes errors as the callback function loses the reference to <em>this</em>. The solution: hand on the initial <em>this</em> as parameter to the callback.</p>
<pre>{

empty: function() {
   return true;
},

process: function(self) {
   if(!self.empty()) {
       setTimeout( function() {
           self.process(self)},
           3000);
        }
    }
}

}</pre>
]]></content:encoded>
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		<title>Generative Art in Moscow</title>
		<link>http://www.evsc.net/news/generative-art-in-moscow?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=generative-art-in-moscow</link>
		<comments>http://www.evsc.net/news/generative-art-in-moscow#comments</comments>
		<pubDate>Sat, 12 Nov 2011 05:47:22 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[liquid sound collision]]></category>
		<category><![CDATA[Moscow]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1904</guid>
		<description><![CDATA[Generative art Fourth Moscow Biennale of Contemporary Art Sept. 22nd &#8211; Oct. 30th 2011 My Liquid Sound Collisions took part in this showcase of generative art featuring a very impressive list of artists: Tom Beddard Marcin Ignac Leonardo Solaas David &#8230; <a href="http://www.evsc.net/news/generative-art-in-moscow"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div class="inside-post1" style="height: 1660px;">
<p><big><a href="http://4th.moscowbiennale.ru/en/program/special_projects/generative_art_en.html">Generative art</a><br />
<strong>Fourth Moscow Biennale of Contemporary Art</strong></big><br />
Sept. 22nd &#8211; Oct. 30th 2011</p>
<p>My <a href="http://www.evsc.net/projects/liquid-sound-collision">Liquid Sound Collisions</a> took part in this showcase of generative art featuring a very impressive list of artists:</p>
<p><a href="http://www.subblue.com/">Tom Beddard</a><br />
<a href="http://marcinignac.com/">Marcin Ignac</a><br />
<a href="http://solaas.com.ar/">Leonardo Solaas</a><br />
<a href="http://sansumbrella.com/">David Wicks</a><br />
<a href="http://www.enohenze.de/">Eno Henze</a><br />
<a href="http://mariuswatz.com/">Marius Watz</a><br />
<a href="http://kimasendorf.com/">Kim Asendorf</a><br />
<a href="http://hellomyfuture.ru/">Alexander Lysov</a></p>
<p>Curator: Alexander Lysov<br />
Co-curator: Timofey Caraffa-Corbut</p>
<p>Sponsors: <a href="http://aroundart.ru/">Aroundart.ru</a>, <a href="http://www.25kadr-gallery.ru/">25 Kadr Gallery</a></p>
<h2>Generative Art</h2>
<p><em>Generative art can be defined as an art practice in which the artist is using the systems, &#8211; a set of rules presented by natural language, computer program, machine, or other processing invention, which are set in motion with certain level of autonomy, and contribute to the creation of an artwork or create it completely by itself. The system is a set of interrelated elements separate from the environment and interacting with it as a whole.<br />
[...]<br />
The key property of generative art is usage of the systems in one form or another. These systems can be ordered as well as unordered, chaotic. The complexity theory and information theory assume that ordered and unordered systems are quite simple, and complex systems develop both properties or order and disorder at the same time. Thus, the relation of order and randomness can be the starting point for classifying the systems used in the generative art, and the basis for understanding the generative art itself.<br />
[...]</em></p>
<div style="padding-left: 100px;padding-bottom:100px;">
Alexander Lysov</p>
<p>Generative Art on <a href="http://4th.moscowbiennale.ru/en/program/special_projects/generative_art_en.html">4th.moscowbiennale.ru</a>
</div>
<p>Here you can see some <a href="http://www.25kadr-gallery.com/en/exhibitios/current-exhibitions/65-genart.html">photos and video of the show</a>.</p>
<p>Plus, now i know how my name looks written in the Russian Alphabet: <strong>Ева Шиндлинг</strong> !</p>
</div>
<div class="inside-post2"><img class="alignnone size-full wp-image-1905" title="russia_01" src="http://www.evsc.net/v8/wp/wp-content/uploads/2011/11/russia_01.jpg" alt="" width="630" height="380" /></div>
<div class="inside-post2"><img class="alignnone size-full wp-image-1906" title="russia_02" src="http://www.evsc.net/v8/wp/wp-content/uploads/2011/11/russia_02.jpg" alt="" width="630" height="380" /></div>
<div class="inside-post2"><img class="alignnone size-full wp-image-1907" title="russia_03" src="http://www.evsc.net/v8/wp/wp-content/uploads/2011/11/russia_03.jpg" alt="" width="630" height="380" /></div>
<div class="inside-post2"><img class="alignnone size-full wp-image-1908" title="russia_04" src="http://www.evsc.net/v8/wp/wp-content/uploads/2011/11/russia_04.jpg" alt="" width="630" height="380" /> <small>All images © 25Kadr-gallery.ru</small></div>
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		<title>Martha Marcy May Marlene</title>
		<link>http://www.evsc.net/stream/martha-marcy-may-marlene?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=martha-marcy-may-marlene</link>
		<comments>http://www.evsc.net/stream/martha-marcy-may-marlene#comments</comments>
		<pubDate>Sun, 06 Nov 2011 04:43:50 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Stream]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1901</guid>
		<description><![CDATA[I am back from the movies, and i am still puzzled and captivated by Martha Marcy May Marlene. Mostly due the ambiguous abrupt ending that leaves you on the edge of your seat. Amazing work by first time director Sean &#8230; <a href="http://www.evsc.net/stream/martha-marcy-may-marlene"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img class="wp-image-1902" src="http://www.evsc.net/v8/wp/wp-content/uploads/2011/11/mmmm-215x117.jpg" width="215" title="mmmm" alt="" /><br />I am back from the movies, and i am still puzzled and captivated by <a href="http://www.imdb.com/title/tt1441326/">Martha Marcy May Marlene</a>. Mostly due the ambiguous abrupt ending that leaves you on the edge of your seat. Amazing work by first time director Sean Durkin, who also wrote the screenplay, incredibly acting by Elizabeth Olsen and John Hawkes, slow and intense storytelling, beautiful camerawork, great editing. Very recommended.</p>
]]></content:encoded>
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