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	<title>evsc</title>
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	<description>seeing the beauty in science</description>
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		<title>A Time of its Own</title>
		<link>http://www.evsc.net/home/a-time-of-its-own?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-time-of-its-own</link>
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		<pubDate>Sun, 15 Apr 2012 23:55:56 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<category><![CDATA[accelerometer]]></category>
		<category><![CDATA[electronics]]></category>
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		<category><![CDATA[time]]></category>
		<category><![CDATA[timer]]></category>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1953</guid>
		<description><![CDATA[Experiments with time dilation using custom-made electronic clocks.
Clock objects - electronic toy and thought experiment at once - let us encounter the exaggerated effects of motion onto time within the limits of our perception.  <a href="http://www.evsc.net/home/a-time-of-its-own"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div class="inside-post1">
<h2>Experiments with time dilation using custom-made electronic clocks</h2>
<p>Clock objects &#8211; electronic toy and thought experiment at once &#8211; let us encounter the exaggerated effects of motion onto time within the limits of our perception. Interaction with these clocks challenges our our common sense understanding of what time is and shall provoke new thoughts. </p>
<p>This is a project in the making.
</p></div>
<div class="inside-post2">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-01.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-01-630x388.png" alt="" title="time-01" width="630" height="388" class="alignnone size-medium wp-image-1957" /></a><br />
<small>Motion influences the Accelerometer which influences the Timing Circuit.</small>
</div>
<div class="inside-post2" style="height:350px;">
<h2>Shaking Time</h2>
<p>The object consists of an acceleration sensor, a timer- and counter-circuit and a LED display. The analog charge- and discharge-cycle of the 555 timer circuit represents true parallel oscillation similar to time-keepers in nature: the resonant frequency of the cesium atom in atomic clocks, the circadian rhythm cells responsible for the human biological clock or the planetary motion in orbits around the sun. The measurements from the accelerometer lengthen or shorten the pulse interval of the timer, in similar yet heavily amplified manner as special relativistic time dilation (The faster the relative velocity, the greater the magnitude of time dilation.) Counter circuitry displays the current time for the object in deciseconds. </p>
<p>The clock objects will be powered by batteries so that they can be freely moved around the space. Free hand movement, acceleration and deceleration, will change the clock frequency and show the influence of motion onto the passing of the objects time. Of course, changes in the passage of time can only be acknowledged with relation to a frame of reference. Therefore several clock objects will be manufactured that allow the constant comparison between their time displays.
</p></div>
<div class="inside-post1"  style="height:350px;">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-04.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-04-300x221.png" alt="" title="time-04" width="300" height="221" class="alignnone size-thumbnail wp-image-1955" /></a><br />
<small>Moving the object through space changes its acceleration and therefore its own time.</small>
</div>
<div class="inside-post1">
<h2>Separate Timelines</h2>
<p>A future installation plan to exhibit the clock objects is the creation of a space that holds several time-objects, all at relative motion to each other. The clocks will be put into motion through mechanical  (or human) actuation. Fixed to springs, pendulums or motors &#8211; the space will represent a chaos of time and highlight the importance of a reference frame &#8211; the importance of relativity &#8211; to our understanding of time and reality. </p>
<div style="height:100px"></div>
<h2>Setting Time Zero</h2>
<p>Synchronization is important for witnessing the effects of motion on the clocks. A docking station for the battery-driven clocks will allow to synchronize them with a reset pulse sent simultaneously to all objects at once.
</p></div>
<div class="inside-post2"  style="height:350px;">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-02.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-02-630x285.png" alt="" title="time-02" width="630" height="285" class="alignnone size-medium wp-image-1956" /></a><br />
<small>Several time objects moving at different oscillating patterns create a chaos of time, held together by a not-moving reference clock.</small>
</div>
<div class="inside-post2">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-03.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/04/time-03-630x300.png" alt="" title="time-03" width="630" height="300" class="alignnone size-medium wp-image-1954" /></a><br />
<small>A docking station allows to sync all the time objects to a common starting time</small>
</div>
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		<title>Space-Time Art</title>
		<link>http://www.evsc.net/lists/space-time-art?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=space-time-art</link>
		<comments>http://www.evsc.net/lists/space-time-art#comments</comments>
		<pubDate>Fri, 13 Apr 2012 14:02:20 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Lists]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1375</guid>
		<description><![CDATA[Media Art Works dealing with Space, with Time, with Space-Time, and anything in between. <a href="http://www.evsc.net/lists/space-time-art"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div class="inside-post1" style="height: 300px;"><img class="alignnone size-thumbnail wp-image-1377" title="morphovision" src="http://www.evsc.net/v8/wp/wp-content/uploads/2010/12/morphovision-300x199.jpg" alt="" width="300" height="199" /><br />
<small><strong><a href="http://www.nhk.or.jp/strl/morphovision/">Morphovision</a>: Distorted House (2005)</strong><br />
Toshio Iwai with NHK Science Technical Research and Laboratories</small></div>
<div class="inside-post1" style="height: 300px;"><img class="alignnone size-full wp-image-1379" title="Khronos Projector" src="http://www.evsc.net/v8/wp/wp-content/uploads/2010/12/khronos.jpg" alt="" width="300" height="220" /><br />
<strong><a href="http://www.k2.t.u-tokyo.ac.jp/members/alvaro/Khronos/">Khronos Projector</a> (2005)</strong><br />
Alvaro Cassinelli &amp; Masatoshi Ishikawa</div>
<div class="inside-post1" style="height: 300px;"><img class="alignnone size-full wp-image-1381" title="video_cubism" src="http://www.evsc.net/v8/wp/wp-content/uploads/2010/12/video_cubism.jpg" alt="" width="300" height="170" /><br />
<small><strong><a href="http://hct.ece.ubc.ca/research/videoc/index.html" target="_blank"><em>Video Cubism</em></a> (1999)</strong><br />
Sidney Fels, Kenji Mase &amp; Eric Lee</small></div>
<div class="inside-post1"><img class="alignnone size-thumbnail wp-image-1385" title="334 Carsten Nicolai" src="http://www.evsc.net/v8/wp/wp-content/uploads/2010/12/334CarstenNicolai-300x200.jpg" alt="" width="300" height="200" /><br />
<small><strong><a href="http://www.carstennicolai.de/?c=works&amp;w=a334ms">334m/s</a> (2007)</strong><br />
Carsten Nicolai</small></div>
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		<title>A Compilation of Written and Directed Meta Worlds</title>
		<link>http://www.evsc.net/research/meta/a-compilation-of-written-and-directed-meta-worlds?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-compilation-of-written-and-directed-meta-worlds</link>
		<comments>http://www.evsc.net/research/meta/a-compilation-of-written-and-directed-meta-worlds#comments</comments>
		<pubDate>Fri, 13 Apr 2012 13:48:18 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Lists]]></category>
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		<category><![CDATA[fiction]]></category>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1348</guid>
		<description><![CDATA[Psychological Novels of the 19th Century and movies tackling meta worlds. <a href="http://www.evsc.net/research/meta/a-compilation-of-written-and-directed-meta-worlds"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div class="inside-post3">This is a compilation in the making. Suggestions are welcome.</div>
<div class="inside-post1">
<h2>Psychological Novels of the 19th Century</h2>
<p>inspired by mesmerism, hypnosis, dipsychism and split personalities.</p>
<ul>
<li><strong>James Hogg&#8217;s &#8220;The Private memoirs and Confessions of a Justified Sinner&#8221; (1824)</strong><em> &#8230; the anti-hero meets a sinister stranger, who represents Satan, but may equally represent the protagonists own dark side.</em></li>
<li><strong>Fyodor Dostoevsky&#8217;s &#8220;The Double&#8221; (1845)</strong><em> &#8230; a government clerk encounters a pernicious doppelganger who may embody everything the protagonist hates and fear about himself</em></li>
<li><strong>Hans Christian Andersen&#8217;s &#8220;The Shadow&#8221; (1847)</strong><em> &#8230; a scholar becomes separated from his shadow. They ultimately exchange roles, which proves fatal for the scholar.</em></li>
<li><strong>Robert Louis Stevenson&#8217;s &#8220;The Strange Case of Dr Jekyll and Mr Hyde&#8221; (1886)</strong><em> &#8230; Jekyll liberates his dark side with drugs, which surfaces as the repellent Hyde. </em></li>
<li><strong>Oscar Wilde&#8217;s &#8220;The Picture of Dorian Gray&#8221; (1981)</strong><em> &#8230; a beautiful young man doesn&#8217;t age while his portrait is ravaged by time and the consequences of a decadent lifestyle.</em></li>
<li><strong>George du Maurier&#8217;s &#8220;Trilby&#8221; (1894)</strong><em> &#8230; a eponymous heroine enjoys a brilliant yet doomed singing career, under the hypnotic influence of her wicked mentor.</em></li>
</ul>
<p>List taken from <a href="http://www.franktallis.com/hiddenminds.htm">Hidden Minds &#8211; The History of the Unconscious</a> by Frank Tallis.</p>
</div>
<div class="inside-post2">
<h2>Metaphysical Movies? Created Realities in Fictitious Realities</h2>
</div>
<div class="inside-post1" style="height:400px;"><em><em><img class="alignnone size-thumbnail wp-image-1356" title="Altered States" src="http://www.evsc.net/v8/wp/wp-content/uploads/2010/12/altered21-300x167.jpg" alt="" width="300" height="167" /></em></em><br />
<small><strong>Altered States</strong><br />
Through sessions in a sensory deprivation tank and intake of hallucinatory drugs the protagonist explores other states of consciousness. Searching for an origin, the experiments not only change his state of mind, but also take over his physical body. He changes first into a proto-human, and at the end almost dissolves into a non-physical form of primordial consciousness.<br />
</small></div>
<div class="inside-post1" style="height:400px;"><img class="alignnone size-thumbnail wp-image-1352" title="Matrix" src="http://www.evsc.net/v8/wp/wp-content/uploads/2010/12/matrix-300x160.jpg" alt="" width="300" height="160" /><br />
<small><strong>Matrix</strong><br />
While machines exploit human bodies for their energy, they send their brains into experiencing a simulated reality convincingly similar to typical middle-order reality. When freed from the machines, hackers tap into the simulation and learn to change the fundamental rules. Noise or glitches in the simulated reality (cat déjà vu) proof the world fake.</small></div>
<div class="inside-post1" style="height:400px;"><img class="alignnone size-thumbnail wp-image-1354" title="Inception" src="http://www.evsc.net/v8/wp/wp-content/uploads/2010/12/nolan1-300x166.jpg" alt="" width="300" height="166" /><br />
<small><strong>Inception</strong><br />
Characters share lucid dreams and experience a dream reality that is created by &#8216;the architect&#8217; and filled with the subconscious of the others. Several layers of dreams-within-dreams are explored. The dream world is linked to reality by the sense for gravity and sound perception. </small></div>
<div class="inside-post1"><small>Dark City</small></div>
<div class="inside-post1"><small>Solaris</small></div>
<div class="inside-post1"><small>Ghost in the Shell</small></div>
<div class="inside-post1"><small>Videodrome </small></div>
<div class="inside-post1"><small>Being John Malkovich</small></div>
<div class="inside-post1"><small>Eternal Sunshine of the Spotless Mind</small></div>
<div class="inside-post1"><small>Jacob&#8217;s Ladder</small></div>
<div class="inside-post1"><small>Tron</small></div>
<div class="inside-post1"><small>Brazil</small></div>
<div class="inside-post1"><small>The Cell</small></div>
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		<title>Thought Experiments / February 2012</title>
		<link>http://www.evsc.net/home/thought-experiments-february-2012?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=thought-experiments-february-2012</link>
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		<pubDate>Sun, 26 Feb 2012 23:41:27 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1944</guid>
		<description><![CDATA[I failed again at thing-a-day, the February 2012 edition. My plan was to come up with a new thought experiment every day – Feb 1st to 29th – but that was obviously too big a challenge. <a href="http://www.evsc.net/home/thought-experiments-february-2012"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div class="inside-post1">
<h2>A thought experiment a day</h2>
<p>I failed again at <a href="http://www.thing-a-day.com">thing-a-day</a>, the February 2012 edition. My plan was to come up with a new thought experiment every day &#8211; Feb 1st to 29th &#8211; but that was obviously too big a challenge. I ran out of time and ideas about time. I wished i would have had more time to thoroughly investigate my made-up questions. Bend them so that they look proper even for the eyes of physicists. </p>
<p>Maybe i&#8217;ll revisit this challenge at a later point.
</p></div>
<div class="inside-post1">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-1-01.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-1-01-300x300.png" alt="" title="tad12-1-01" width="300" height="300" class="alignnone size-thumbnail wp-image-1945" /></a><br />
<big>Q1: Would two particles, that live in an infinite empty universe and always make the same exact movement at the same time, be able to discover the existence of time and space?</big><br />
Their only frame of reference is the distance between them.
</div>
<div class="inside-post1">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-2-01-01.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-2-01-01-300x300.png" alt="" title="tad12-2-01-01" width="300" height="300" class="alignnone size-thumbnail wp-image-1946" /></a><br />
<big>Q2: If time had 2 dimensions, would we perceive a bouncing ball that bounces off into the 2nd temporal dimension (perpendicular to our usual time dimension) as existing at one instant in multiple states at once?</big><br />
Multistability. Growing years older form one second to the other (by lived along the other timeline). Useful for magic tricks.
</div>
<div class="inside-post1">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-3-01-01.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-3-01-01-300x300.png" alt="" title="tad12-3-01-01" width="300" height="300" class="alignnone size-thumbnail wp-image-1947" /></a><br />
<big>Q3: If time was a radial dimension growing outwards from one starting point and spreading into all possible scenarios with minor differences between neighboring timelines, what would the antipode to our timeline look like?</big><br />
Inverted?
</div>
<div class="inside-post1">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-4-01.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-4-01-300x300.png" alt="" title="tad12-4-01" width="300" height="300" class="alignnone size-thumbnail wp-image-1948" /></a><br />
<big>Q4: If we extract time from our space-time reality, space remains a valid concept as it holds matter in a multiplicity of possible states, yet how does the concept of time remain if we extract space from our space-time reality and all matter is compressed into one space unit?</big><br />
How does change happen, if everything is restricted to the same location?
</div>
<div class="inside-post1">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-5-01.png"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/02/tad12-5-01-300x300.png" alt="" title="tad12-5-01" width="300" height="300" class="alignnone size-thumbnail wp-image-1949" /></a><br />
<big>Q5: If time was symmetric, the second law of thermodynamics invalid, and matter would switch between going forward and backward in time in the same fashion as they switch between going left or right in space, would it be easier for us to acknowledge a deterministic universe?</big><br />
The timeline of each entity of matter would be written on a tape, that some force pushes forward and backward along the dimension of time. All there is is the moment of NOW, that comes alive with the (nearly) infinite combination of tapes and their current ‘age’.
</div>
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		<title>Intuition, Subliminal Perception and the Subconscious</title>
		<link>http://www.evsc.net/home/intuition-subliminal-perception-and-the-subconscious?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=intuition-subliminal-perception-and-the-subconscious</link>
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		<pubDate>Sun, 29 Jan 2012 05:13:38 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<category><![CDATA[Malcolm Gladwell]]></category>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1930</guid>
		<description><![CDATA[Our subconscious knows more, sees more and hears more than we do. About Intuitions, Experiments Below the Awareness Threshold, and Free Will. <a href="http://www.evsc.net/home/intuition-subliminal-perception-and-the-subconscious"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<div class="inside-post2">
<a href="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/twobarriers-01.jpg"><img class="size-medium wp-image-1936 aligncenter" title="twobarriers-01" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/twobarriers-01-630x380.jpg" alt="" width="630" height="380" /></a></p>
<h2>Barriers and Filters</h2>
<p>There are several barriers between us &#8211; the conscious us &#8211; and the world. We are constantly bombarded with information from our environment and our physical bodies use senses to read that information. As a first barrier the limitations of our physical senses act as filter on the incoming information and only let certain content through. Now our subconscious is at play and processes the perceived input and acts as second barrier, as it decides which information will be handed up above the threshold of awareness to our conscious mind. Conscious perception of the physical world around is a filtered and mutated presentation of the real deal.</p>
<p>This is nothing new. We are already aware of the fact that there is so much more out there that is beyond our sensory range, and even beyond our technologically advanced sensory capabilities (see dark matter). What i find highly intriguing though, is the fact that our subconscious mind has access to a much faster and more detailed library of knowledge than our conscious mind does. Studies show that our subconscious senses at a higher resolution (Small Difference in Sensation, 1884) and at a higher sampling rate (Mere Exposure Effect, 1980) than we are aware of. But this high level of detail is not necessary for survival and would cause an information overload for that entity of our mind that we call consciousness.</p>
<p>Instead of relaying all possible input forward into awareness, our subconscious makes a selection. The really important stuff is passed on of course, but the majority of it is processed directly in the subconscious with quick rule-of-thumb methods. Only the final product of these processes enters our awareness in the form of hunches, instinct, gut feelings, snap judgments or &#8211; as we mostly called it &#8211; intuition.</p>
<h2>Intuition and Rapid Cognition</h2>
<p>Intuition is a fidgety topic. Discussing it with friends showed that everyone has his/her own interpretation of what it means, and especially in what situations one makes use of it.</p>
<p>I&#8217;ve read Malcolm Gladwell&#8217;s <a href="http://www.gladwell.com/blink/">Blink</a> and understood it as a book on intuition. Yet he never uses the word <em>intuition</em> in the book and calls his subject <em>rapid cognition</em> instead. And rapid cognition is the perfect word for what my understanding of intuition is: Your unconscious makes decisions, reaches conclusions in a similar rational way as your conscious thought processes would do. Yet it does it a lot faster, and has access to more memory than your consciousness does. Within 1-2 seconds intuition can tell you if a person might be lying to you, if a chess game might be lost or if a situation might become dangerous. It tells you in the form of a gut-feeling, delivering the final conclusions of a long debate without revealing any of the rational behind it. It relies on your unconscious picking up on cues in the environment, on discovering micro-expressions on someone&#8217;s face, on comparing situations to hundreds and thousands similar ones housed in your memory and even digs into genetically and biologically hard-coded instincts.</p>
<p>Maybe Gladwell shies away from calling it intuition, because he feels that the term is too associated with emotional, irrational and mystical concepts. Probably letting go of the term and calling it by a new name is reasonable. Rapid Cognition.</p>
</div>
<div class="inside-post1" style="height:550px;"><big><em>&#8220;Apart from the fact that we may not be able to perceive the entirety of the external world due to information processing limitations inherent to our physical system, what seems more unsettling is that we may not even be able to experience all that we perceive! Is there some limitation of our own internal system that keeps not only the world, but the way this world is represented in us fundamentally unknowable to ourselves?&#8221;</em></big><br/><br />
<span style="float: right;">– Overgaard M, &amp; Timmermans B (2009). <em>How unconscious is subliminal perception?</em></span></div>
<div class="inside-post1" style="background-color: #ddd;"><img class="aligncenter size-full wp-image-1931" title="blink" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/blink.jpg" alt="" width="190" height="285" /></p>
<h3>Blink: The Power of Thinking Without Thinking</h3>
<p><small>In his 2005 <a href="http://www.gladwell.com/blink/">book</a> Malcolm Gladwell presents a series of studies that demonstrate how our subconscious helps us make decisions, yet also leads us astray. It&#8217;s an easy read, probably too easy. I have heard Jonah Lehrer&#8217;s <a href="http://www.amazon.com/How-We-Decide-Jonah-Lehrer/dp/0618620117">How We Decide</a> and Gerd Gigerenzer&#8217;s <a href="http://www.amazon.com/Gut-Feelings-Intelligence-Gerd-Gigerenzer/dp/0670038636">Gut Feelings: The Intelligence of the Unconscious</a> might be a bit more thorough.</small></div>
<div class="inside-post1">
<p><big><em>&#8220;Intuitive thinking is perception-like, rapid, effortless. &#8230; Deliberate thinking is reasoning-like, critical, and analytic; it is also slow, effortful, controlled, and rule-governed.&#8221;</em></big></p>
<div style="float: right;">- psychologist Daniel Kahneman</div>
</div>
<div class="inside-post2">
<h3>Lack of Intuition</h3>
<p><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/iowa-300x223.gif" alt="" title="iowa gambling task" width="300" height="223" class="alignright size-thumbnail wp-image-1938" /><small>Antonio Damasio&#8217;s study with card decks (<a href="http://cercor.oxfordjournals.org/content/10/3/295.full"><em>Emotion, Decision Making and the Orbitofrontal Cortex</em></a>, 2000) shows that the subconscious figures out game advantages and starts to influence behavior accordingly before that information reaches awareness in form of a hunch. Damasio also shows that test subjects with damages to a part of the brain responsible for planning and decision making (<a href="http://en.wikipedia.org/wiki/Ventromedial_prefrontal_cortex">Ventromedial prefrontal cortex</a>) are not able to produce hunches. </small>
</div>
<div class="inside-post1"><big><em>&#8220;Intuition (is) perception via the unconscious&#8221;</em></big><br />
<span style="float: right;">– Carl Gustav Jung</span></div>
<div class="inside-post2" style="height:340px;">
<h2>Experiments Below The Awareness Threshold</h2>
<p>So, how do you measure if information is present in your subconscious, yet not in your conscious mind? In his paper <a href="http://www.sysdesign.ca/archive/berkes_subliminal_perception.pdf">Does &#8220;subliminal perception&#8221; (perception without awareness) occur, and how can it be measured?</a> (2004) Berkes gives a good overview of the controversies existing in experiments trying to capture subliminal perception. Experiments testing the effect rely on <strong>null effect / null sensitivity</strong> data &#8211; which means subjects have no conscious awareness of a given stimulus. Detecting this condition is not easy. When detection relies on <b>Self-Report</b> of awareness (or non-awareness) by the subject, it is flawed as every person has different response bias that influence their statement. Early test, like the Peirce Jastrow Experiment have been criticized for this. The <b>Dissociative Paradigm</b> method asks test subjects to choose between fixed options, even if he/she finds them equivalent. The choice will unconsciously be influenced by the subliminal stimuli (see Mere Exposure Effect, 1980). The <b>Exclusion Paradigm</b> presents test subjects with a task and asks them not to use the supposedly subliminally presented stimuli (Jacoby exclusion task, 1994).
</div>
<div class="inside-post1" style="height:340px;">
<big><em>&#8220;Subliminal perception occurs whenever stimuli presented below the threshold or limen for awareness are found to influence thoughts, feelings, or actions.&#8221;</em></big></p>
<div style="float: right;">- Philip M. Merikle, <a href="http://watarts.uwaterloo.ca/~pmerikle/papers/SubliminalPerception.html">Subliminal Perception</a> (2000)</div>
</div>
<div class="inside-post1" style="height:820px;">
<h2>Self Report</h2>
<p><a href="http://psychclassics.yorku.ca/Peirce/small-diffs.htm"><img class="aligncenter size-thumbnail wp-image-1932" title="On Small Differences in Sensation" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/peirce-300x263.jpg" alt="" width="300" height="263" /></a></p>
<h3>Small Difference in Sensation, 1884</h3>
<p><small>In 1884 Peirce and Jastrow published the paper <a href="http://psychclassics.yorku.ca/Peirce/small-diffs.htm">On Small Differences in Sensation</a> that documents their highly interesting experiment, showcasing that our subconscious even has a finer resolution in perception than our consciousness does. Subjects had to compare weights that were so similar that they seemed identical. People were asked to indicate the heavier object and also to specify their level of confidence in their choice. Subjects that indicated zero percentage of confidence &#8211; and seemingly only picked one over the other by chance &#8211; ended with a 62-70% success rate. Even though they were not aware of any difference between the two stimuli, their intuition let them to pick the right answer more often than not. The findings indicate that their intuition could give the answer based on reason, because their subconscious had a more accurate perception of the weight than their awareness.</small></p>
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<div class="inside-post1" style="height:820px;">
<h2>Dissociative Paradigm</h2>
<p><img class="alignnone size-thumbnail wp-image-1933" title="mereexposure" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/mereexposure-300x261.gif" alt="" width="300" height="261" /><br />
<small>[Image Source: <a href="http://www.csic.cornell.edu/201/subliminal/">Nick Epley</a>]</small></p>
<h3>Mere Exposure Effect, 1980</h3>
<p><small>In 1980 Kunst-Wilson and Zajonc showed that subliminal exposure to an object increased a persons affect for the object. This phenomenon is know as <a href="http://en.wikipedia.org/wiki/Mere-exposure_effect">Mere-Exposure Effect</a> &#8211; we tend to prefer what we are more familiar with. (Yet! The more invasive and repeated the exposure is, the more we&#8217;ll start to respond in a negative fashion.) In their experiment Kunst-Wilson and Zajonc showed test subjects 1 millisecond flashes of an image of a polygon. Afterwards the test subjects were presented with images of two different polygons, and were asked to pick the one they recognized and the one they liked better. As the flashes were too fast for conscious awareness and therefore at chance level, the recognition question correctly led to 50:50 answers. Yet the same test subjects indicated at 60:40 preference for the polygon they were subjected to.</small></p>
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<h2>Exclusion Paradigm</h2>
<p><img class="alignnone size-thumbnail wp-image-1934" title="Debner Jacoby" src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/debner-300x267.jpg" alt="" width="300" height="267" /></p>
<h3>Jacoby exclusion task, 1994</h3>
<p><small>In 1994 Debner and Jacoby executed a word completion experiment that sparred conscious processing against unconscious processing. Images of a priming word were flashed at test subjects at durations that ranged from subliminal to clearly visible. Afterwards the test subjects had to complete word-stems and were instructed not to use the priming word. Here the threshold of awareness was evident in the results. If test subjects were aware of the priming word, they avoided in the word completion task. If the priming was truly subliminal, they were much more likely to use the priming word in the task.</p>
<p>Original paper: <em>Unconscious Perception: Attention, Awareness, and Control</em>, James A. Debner and Larry L. Jacoby, 1994 (<a href="http://homepage.psy.utexas.edu/homepage/class/Psy355/Gilden/jacoby.pdf">PDF</a>)</small>
</div>
<div class="inside-post1" style="height:500px;">
<img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/mindtime-300x435.jpg" alt="" title="mindtime" width="300" height="435" class="alignnone size-thumbnail wp-image-1940" /><small>Benjamin Libet &#8211; <a href="http://www.amazon.com/Mind-Time-Consciousness-Perspectives-Neuroscience/dp/067401846X/ref=tmm_pap_title_0">Mind Time: The Temporal Factor in Consciousness</a></small>
</div>
<div class="inside-post1" style="height:500px;">
<h2>Always Half a Second Behind?</h2>
<p>So, we know that the unconscious influences our conscious behavior. What if it does more than simply influence it? Benjamin Libet&#8217;s famous volatile-action experiment challenges the concept of free will as it demonstrates that neuronal spikes signal the onset of action before a conscious decision to take action has been made. </p>
<p>Maybe our subconscious is truly in control of us? Maybe our subconscious possesses free will and orchestrates our conscious experience like a puppet on a string. Your subconscious as the dark ego, living within us. </p>
<p>Or, our subconscious is not in control either, and free will is an illusion. Which option is better? Creepy vs. disillusioning.
</p></div>
<div class="inside-post1"  style="height:500px;">
<img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/libet-215x95.png" alt="" title="libet" width="215" height="95" class="aligncenter size-stream wp-image-1939" /></p>
<h3>Libet&#8217;s Bereitschaftspotential Experiment</h3>
<p><small>In 1983 <a href="http://en.wikipedia.org/wiki/Benjamin_Libet">Benjamin Libet</a>, following German neurologist Hans Kornhuber, asks volunteers to move a finger &#8216;whenever they feel the urge to do so&#8217;. Measuring their brain activity, he discovers that first brain activity controlling the movement happens roughly 500 milliseconds before conscious awareness of the subjects intention to move their finger, and another 150 milliseconds before the actual movement.</small>
</div>
<div class="inside-post1" style="height:550px;">
<h2>Open Questions</h2>
<p>Now that we know that our subconscious knows more, sees more, hears more than we do, the questions arises &#8211; how can we access it? Through simple training? A more sensitive awareness to whatever your gut tells you? </p>
<p>Once a skill is routinized by extensive practice it is moved down into subconscious territory, to make space for new content. We walk, we breath, we swallow, and are mostly not aware of it. Can we master <em>any</em> skill and implement it in our subconscious? </p>
<p>Has our subconscious a more <em>open mind</em> for scientific ideas that are hard to grasp for our conscious mind? Is our subconscious able to understand multistability, and therefore allows the existence of separate realities in it&#8217;s neuronal circuitry (see <a href="http://www.evsc.net/research/necker">An Oscillating Reality Battle</a>)?  Is our subconscious the maker of time and creates the illusion of time for our conscious mind?
</div>
<div class="inside-post1" style="background-color: #ddd;height:550px;"><a href="http://www.amazon.com/Hidden-Minds-Unconscious-Frank-Tallis/dp/1559706430"><img src="http://www.evsc.net/v8/wp/wp-content/uploads/2012/01/tallis.jpg" alt="" title="tallis" width="200" height="300" class="aligncenter size-full wp-image-1937" /></a></p>
<h3><em>Hidden Minds &#8211; A History of the Unconscious</em></h3>
<p><small>In this <a href="http://www.amazon.com/Hidden-Minds-Unconscious-Frank-Tallis/dp/1559706430">book</a> Frank Tallis leads us through the history of the unconscious touching upon hypnotism, lucid dreaming, subliminal stimuli, psychoanalysis and new research in neuroscience. Very recommended.</small></div>
<div class="inside-post1" style="background-color: #ddd;height:550px;">
<h3>Podcast References</h3>
<p>Brain Science Podcast &#8211; Episode 13 &#8220;Unconscious Decisions!&#8221;, where Dr. Ginger Campbell discusses unconscious rapid decision-making, Malcolm Gladwell&#8217;s Blink and other writings on the subject.</p>
<p>Stuff to Blow Your Mind Podcast &#8211; Episode &#8220;Is Your Gut A Genius?&#8221;, where Robert and Julie talk about butterflies and lots of neural wiring in your stomach.</p>
<p>Brain Science Podcast &#8211; Episode 19 &#8220;Gut Feelings by Gerd Gigerenzer&#8221;, where Dr. Ginger Campbell discusses <a href="http://www.amazon.com/Gut-Feelings-Intelligence-Gerd-Gigerenzer/dp/0670038636/ref=pd_bbs_sr_1/104-0824653-5550364?ie=UTF8&amp;s=books&amp;qid=1186511465&amp;sr=8-1">said book</a>.</p>
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		<title>A Dangerous Method</title>
		<link>http://www.evsc.net/stream/a-dangerous-method?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-dangerous-method</link>
		<comments>http://www.evsc.net/stream/a-dangerous-method#comments</comments>
		<pubDate>Thu, 19 Jan 2012 15:08:37 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<description><![CDATA[This was a bit of a disappointment &#8211; A Dangerous Method is a Cronenberg movie after all, but i feel like he touched upon a interesting subject and instead of going deeper into it, he decided to make a partially &#8230; <a href="http://www.evsc.net/stream/a-dangerous-method"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>This was a bit of a disappointment &#8211; <a href="http://www.imdb.com/title/tt1571222/">A Dangerous Method</a> is a Cronenberg movie after all, but i feel like he touched upon a interesting subject and instead of going deeper into it, he decided to make a partially funny (deliberately or not) romance movie. We are introduced to the relationship between Jung and Freud, but we don&#8217;t see enough of it to feel the pain of the rupture between them. The rupture that will bring Jung to a nervous breakdown (or: when he gives in and let&#8217;s his unconscious take over). Also, the sexual relationship between Jung and <a href="http://en.wikipedia.org/wiki/Sabina_Spielrein">Sabina Spielrein</a> has lots of potential &#8211; may it be a doctor-patient relationship, a soda-masochistic sexual one, or the partnership admiration between two scientists &#8211; yet at the end of the movie we are meant to believe it was a (mainly) romantic one. I feel we are missing scenes to make both those 2 relationships believable. Maybe it&#8217;s all there in the 3-hour director&#8217;s cut, i&#8217;ll just have to wait.</p>
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		<title>All in the Mind: Are You Conscious?</title>
		<link>http://www.evsc.net/stream/all-in-the-mind-are-you-conscious?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=all-in-the-mind-are-you-conscious</link>
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		<pubDate>Thu, 19 Jan 2012 14:59:21 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
				<category><![CDATA[Stream]]></category>

		<guid isPermaLink="false">http://www.evsc.net/?p=1928</guid>
		<description><![CDATA[All in the Mind is 10 years old, and produced a couple of retrospective podcasts on research and discoveries covered over the last 10 years. Here&#8217;s a great one: All in the Mind 10th Anniversary Special 2: Are You Conscious? &#8230; <a href="http://www.evsc.net/stream/all-in-the-mind-are-you-conscious"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>All in the Mind is 10 years old, and produced a couple of retrospective podcasts on research and discoveries covered over the last 10 years. Here&#8217;s a great one: <a href="http://www.podfeed.net/episode/All+in+the+Mind+10th+Anniversary+Special+2+Are+You+Conscious/3235194">All in the Mind 10th Anniversary Special 2: Are You Conscious?</a> &#8211; Zombies, the consciousness mystery, the brain/mind problem, disembodied brains, The Matrix, etc. with Daniel Dennett, <a href="http://en.wikipedia.org/wiki/Susan_Greenfield,_Baroness_Greenfield">Susan Greenfield</a> and others.</p>
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		<title>Stuff to Blow Your Mind</title>
		<link>http://www.evsc.net/stream/stuff-to-blow-your-mind?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stuff-to-blow-your-mind</link>
		<comments>http://www.evsc.net/stream/stuff-to-blow-your-mind#comments</comments>
		<pubDate>Mon, 28 Nov 2011 02:58:29 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1925</guid>
		<description><![CDATA[I&#8217;ve been listening to Stuff to Blow Your Mind continuously while walking. Catching up on their old podcasts too. And there are so many of them! Recent favorites (MP3 links) If a tree falls in a forest, does it make &#8230; <a href="http://www.evsc.net/stream/stuff-to-blow-your-mind"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been listening to <a href="http://blogs.howstuffworks.com/category/stuff-to-blow-your-mind/">Stuff to Blow Your Mind</a> continuously while walking. Catching up on their old podcasts too. And there are <a href="http://www.howstuffworks.com/stuff-to-blow-your-mind.rss">so many of them</a>!<br/><br/></p>
<p>Recent favorites (MP3 links)<br/></p>
<ul>
<li><a href="http://podcasts.howstuffworks.com/hsw/podcasts/sciencelab/2010-12-09-stbym-tree-falls-forest.mp3">If a tree falls in a forest, does it make a sound?</a></li>
<li><a href="http://podcasts.howstuffworks.com/hsw/podcasts/sciencelab/2010-12-14-stbym-overview-effect.mp3">The Overview Effect: Tripping Out in Space</a></li>
<li><a href="http://podcasts.howstuffworks.com/hsw/podcasts/sciencelab/2010-12-16-stbym-ladies-night-planet-earth.mp3">Ladies&#8217; Night on Planet Earth</a></li>
</ul>
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		<title>Melancholia</title>
		<link>http://www.evsc.net/stream/melancholia?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=melancholia</link>
		<comments>http://www.evsc.net/stream/melancholia#comments</comments>
		<pubDate>Sun, 27 Nov 2011 02:29:58 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1921</guid>
		<description><![CDATA[Depressive people stay calm at the onsite of an approaching disaster because they already expect bad things to happen. This is what inspired Lars van Trier to write and direct Melancholia and is beautifully portrayed when at the end Justine &#8230; <a href="http://www.evsc.net/stream/melancholia"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><img class="wp-image-1922" title="melancholia" src="http://www.evsc.net/v8/wp/wp-content/uploads/2011/11/melancholia-215x89.jpg" alt="" width="215" /><br />
Depressive people stay calm at the onsite of an approaching disaster because they already expect bad things to happen. This is what inspired Lars van Trier to write and direct <a href="http://en.wikipedia.org/wiki/Melancholia_%282011_film%29">Melancholia</a> and is beautifully portrayed when at the end Justine finds her strength and comforts Claire and Leo. Gorgeous setting, dramatic music, and a most beautiful harbinger of death in the form of a blue planet dancing it&#8217;s last dance.</p>
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		<title>DISPLACE (v 1.0)</title>
		<link>http://www.evsc.net/stream/displace-v-1-0?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=displace-v-1-0</link>
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		<pubDate>Mon, 21 Nov 2011 15:15:38 +0000</pubDate>
		<dc:creator>evsc</dc:creator>
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		<guid isPermaLink="false">http://www.evsc.net/?p=1919</guid>
		<description><![CDATA[I attended an experimental session inside DISPLACE (v 1.0), a Performative Sensory Environment developed by LabXmodal and the Concordia Sensoria Research Team (CONSERT) here at Concordia University in Montreal. In groups of six &#8211; sometimes together, sometimes alone, sometimes alone &#8230; <a href="http://www.evsc.net/stream/displace-v-1-0"><span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>I attended an experimental session inside <a href="http://xmodal.hexagram.ca/displace">DISPLACE (v 1.0)</a>, a Performative Sensory Environment developed by <a href="http://xmodal.hexagram.ca/">LabXmodal</a> and the <a href="http://www.david-howes.com/senses/">Concordia Sensoria Research Team (CONSERT)</a> here at Concordia University in Montreal. In groups of six &#8211; sometimes together, sometimes alone, sometimes alone yet together &#8211; over a 30 minute period, you experience a dark space filled with multiple sensory phenomena. You are guided and encounter 3-4 stations, where you taste and smell, feel vibrations, feel heat, walk through corridors with nearly invisible walls, perceive flickering lights, listen to surround sound and sit on a rotating platform. When you leave you feel slowed down and more mindful, like after a meditation session.</p>
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